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These short stories range from the chilling to the charming, often managing to mix the two. This was the first book I read by Neil Gaiman, and it skyrocketed him to the top of my list of favorite authors.
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In The Graveyard Book, Neil Gaiman has created a charming allegory of childhood. Although the book opens with a scary scene--a family is stabbed to death by "a man named Jack” --the story quickly moves into more child-friendly storytelling. The sole survivor of the attack--an 18-month-old baby--escapes his crib and his house, and toddles to a nearby graveyard. Quickly recognizing that the baby is orphaned, the graveyard's ghostly residents adopt him, name him Nobody ("Bod"), and allow him to live in their tomb. Taking inspiration from Kipling’s The Jungle Book, Gaiman describes how the toddler navigates among the headstones, asking a lot of questions and picking up the tricks of the living and the dead. In serial-like episodes, the story follows Bod's progress as he grows from baby to teen, learning life’s lessons amid a cadre of the long-dead, ghouls, witches, intermittent human interlopers. A pallid, nocturnal guardian named Silas ensures that Bod receives food, books, and anything else he might need from the human world. Whenever the boy strays from his usual play among the headstones, he finds new dangers, learns his limitations and strengths, and acquires the skills he needs to survive within the confines of the graveyard and in wider world beyond. (ages 10 and up) -–Heidi Broadhead
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This anthology of short stories, and the occasional story poem, is vintage Neil Gaiman: quirky, sometimes very funny, often dark and disturbing. Most have been published before, but are hard to find elsewhere and cover all of Gaiman's writing life. As Gaiman says in his introduction, "most of the stories in this book are about love in some form or another," but not requited love. The stories in Smoke and Mirrors touch on all of Gaiman's themes: sex, death, dreams, and the end of the world. From "Chivalry," about the Holy Grail and where it finally ended up, to "Troll Bridge," a very adult version of "The Three Billy Goats Gruff"; from "Bay Wolf," a story poem that melds Beowulf and Baywatch, with interesting results, to "Murder Mysteries," which is about a murder, but also about angels, God's will, and Evil, these stories leave lasting impressions. Fans of Ray Bradbury's short stories and of Gaiman's other works will enjoy this collection.
--Nona Vero --This text refers to an out of print or unavailable edition of this title.
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American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.
--Therese Littleton --This text refers to the Hardcover edition.
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Starred Review. If readers found the Sandman series creator's last novel, American Gods, hard to classify, they will be equally nonplussed—and equally entertained—by this brilliant mingling of the mundane and the fantastic. "Fat Charlie" Nancy leads a life of comfortable workaholism in London, with a stressful agenting job he doesn't much like, and a pleasant fiancée, Rosie. When Charlie learns of the death of his estranged father in Florida, he attends the funeral and learns two facts that turn his well-ordered existence upside-down: that his father was a human form of Anansi, the African trickster god, and that he has a brother, Spider, who has inherited some of their father's godlike abilities. Spider comes to visit Charlie and gets him fired from his job, steals his fiancée, and is instrumental in having him arrested for embezzlement and suspected of murder. When Charlie resorts to magic to get rid of Spider, who's selfish and unthinking rather than evil, things begin to go very badly for just about everyone. Other characters—including Charlie's malevolent boss, Grahame Coats ("an albino ferret in an expensive suit"), witches, police and some of the folk from American Gods—are expertly woven into Gaiman's rich myth, which plays off the African folk tales in which Anansi stars. But it's Gaiman's focus on Charlie and Charlie's attempts to return to normalcy that make the story so winning—along with gleeful, hurtling prose.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
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Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious.
--Karin Snelson --This text refers to the Hardcover edition.
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Pratchett (of Discworld fame) and Gaiman (of Sandman fame) may seem an unlikely combination, but the topic (Armageddon) of this fast-paced novel is old hat to both. Pratchett's wackiness collaborates with Gaiman's morbid humor; the result is a humanist delight to be savored and reread again and again. You see, there was a bit of a mixup when the Antichrist was born, due in part to the machinations of Crowley, who did not so much fall as saunter downwards, and in part to the mysterious ways as manifested in the form of a part-time rare book dealer, an angel named Aziraphale. Like top agents everywhere, they've long had more in common with each other than the sides they represent, or the conflict they are nominally engaged in. The only person who knows how it will all end is Agnes Nutter, a witch whose prophecies all come true, if one can only manage to decipher them. The minor characters along the way (Famine makes an appearance as diet crazes, no-calorie food and anorexia epidemics) are as much fun as the story as a whole, which adds up to one of those rare books which is enormous fun to read the first time, and the second time, and the third time... --This text refers to an out of print or unavailable edition of this title.
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