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An entertaining and insightful examination of the Emmy-award winning American satirical news show, broadcast on Comedy Central in the US, and (in an edited edition) on More4 in the UK and CNN International around the world.
Includes discussion of both The Daily Show and its spin-off show, The Colbert Report
Showcases philosophers at their best, discussing truth, knowledge, reality and the American Way
Highlights the razor sharp critical skills of Jon Stewart and his colleagues
Faces tough and surprisingly funny questions about politics, religion, and power head on
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From the 1970s cult TV show, Monty Python’s Flying Circus, to the current hit musical Spamalot, the Monty Python comedy troupe has been at the center of popular culture and entertainment. The Pythons John Cleese, Graham Chapman, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam are increasingly recognized and honored for their creativity and enduring influence in the worlds of comedy and film. Monty Python and Philosophy extends that recognition into the world of philosophy. Fifteen experts in topics like mythology, Buddhism, feminism, logic, ethics, and the philosophy of science bring their expertise to bear on Python movies such as Monty Python’s Life of Brian and Flying Circus mainstays such as the Argument Clinic, the Dead Parrot Sketch, and, of course, the Bruces, the Pythons’ demented, song-filled vision of an Australian philosophy department. Monty Python and Philosophy follows the same hit format as the other titles in this popular series and explains all the philosophical concepts discussed in laymen’s terms.
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The most popular musical group of all time, the Beatles also brought serious thought to the bubble gum-scented world of pop and rock music, with adventurous, profound, and sometimes mysterious lyrics that veered from the deliberate absurdity of “I Am the Walrus” to the rosy Rousseau-like fantasy of “When I’m 64” to the darkly existential/nihilist visions of “Eleanor Rigby” and “A Day in the Life.” In this lively new book, 20 Beatles-loving philosophers offer fresh insight into the lives and words of the Fab Four. Among the topics investigated are the groups’ critique of consumer culture; John Lennon and the Cold War; Paul McCartney’s philosophy of love, community, and politics; the Beatles’ struggle against the inauthentic; the ethics of chemically changed states of consciousness; the metaphysical standing of popularized Eastern meditation; and skepticism in the Beatles’ worldview. Like earlier titles in this popular series, The Beatles and Philosophy discusses complex issues in an enjoyable, highly readable fashion.
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n this, the latest in Wiley’s Blackwell Philosophy and Pop Culture series (South Park and Philosophy, The Office and…, Metallica and…), editors White and Arp assert upfront, and without qualification (apparently, that’s the contributors’ job), their belief that Batman is “the most complex character ever to appear in comic books and graphic novels.” Exploring certain works that have broadened the philosophical undercurrents of the Batman mythos (Frank Miller’s Batman: Year One and The Dark Knight Returns are cited often, but rarely the new movies), a raft of professors, students and PhD candidates paint Bruce Wayne’s choices as, most often, either utilitarian or deontological, with basic descriptions of these systems helpfully provided for the novice. A few contributions broaden the discussion beyond the well-worn (origin stories of Batman and foes, etc.); casting butler Alfred as Kierkegaard’s “knight of faith” to Batman’s “knight of infinite resignation,” contributor Christopher M. Drohan actually gets close to the archetypal sources that keep the serialized exploits of Batman and other comic heroes from getting stale. Unfortunately, most of these essays get old fast. (July) (Publishers Weekly, July 28, 2008)
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The Star Wars films continue to revolutionize science fiction, creating new standards for cinematographic excellence, and permeating popular culture around the world. The films feature many complex themes ranging from good versus evil and moral development and corruption to religious faith and pragmatism, forgiveness and redemption, and many others.
The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy ponders the depths of these subjects and asks what it truly means to be mindful of the "living force."
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Though Bram Stoker coined the term, the undead have stalked the human imagination for eons, appearing in the myths and legends of nearly all cultures. The concept of people, or unpeople, interacting with others while devoid of humanity provides a wealth of material for philosophical speculation. Encompassing George Romero’s radiation-spawned Living Dead, the “infected” of 28 Days Later, as well as more traditional zombies and vampires, the essays in The Undead and Philosophy ponder questions such as: Is it cool to be undead, or does it totally suck? Is a zombie simply someone with a brain but without a mind? Are some of the people around us undead, and how could we tell? Can the undead be held responsible for what they do? Is it always morally OK to kill the undead? Served up in a witty, entertaining style, these and other provocative questions present philosophical arguments in terms accessible to all readers.
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From the Back Cover:
Is being nice overrated?
Are we really just selfish, base animals crawling across Earth in a meaningless existence?
Would reading less and watching more television be good for you?
Is House a master of Eastern philosophy or just plain rude?
Dr. Gregory House is arguably the most complex and challenging antihero in the history of television, but is there more to this self-important genius than gray matter and ego? This book takes a deeper look at House to reveal the philosophical underpinnings of this popular medical drama and its cane-waving curmudgeon's most outrageous behavior. What emerges is a remarkable character who is part Sherlock Holmes, part Socratic philosopher, part Nietzschean superman, part Taoist rhetorician, and not at all as screwed up as you might think. With everything from Aristotle to Zen, House and Philosophy takes an engaging look at everyone's favorite misanthropic genius and his team at Princeton-Plainsboro Hospital.
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From the Back Cover:
Can we justify Ozymandias's grand plan?
Does Dr. Manhattan really know what's going to happen in the future?
Is the Comedian actually a comedian (or just a jerk)?
Can either Silk Spectre be considered a feminist?
Does Nite Owl's paunch actually make him virtuous?
Watchmen is the most critically acclaimed graphic novel ever published and turned the world of comic superheroes on its head. This masterpiece of realistic storytelling, dialogue, and artwork, courtesy of Alan Moore and Dave Gibbons, raises a host of compelling philosophical questions. How do Ozymandias and Rorschach justify their actions? What are the political ramifications of the Comedian's work for the government? How do we explain the nature of Dr. Manhattan? And can a graphic novel be considered literature? Whether you're reading Watchmen for the first time or have been a fan for more than twenty years, Watchmen and Philosophy will help you read deeper into the philosophical questions and the revolutionary story that changed comic fiction forever.
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If you're a Zelda theorist, chances are you already have this book or plan to run out and buy it. If you're just dipping your feet into Zelda at a higher level of thought, The Legend of Zelda and Philosophy offers a great starting point with interesting insights into both Zelda and gaming as a whole.... A true Zelda fan shouldn't be without it. - ZeldaUniverse.net, March 27, 2009
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"Superman's costume always bugged me when I was a kid… So you need a secret identity – cool. But what’s the deal with all the rainbow-hued Spandex masks and costumes?... I found the answer to this great metaphysical dilemma in the book Superheroes and Philosophy, edited by Tom Morris and Matt Morris. In various essays, college philosophy professors and others ruminate on profound issues raised by the superhero lifestyle, such as how Batgirl reflects Nietzsche’s moral perfectionism." – Rick de Yampert, Daytona Beach News-Journal, December 15, 2006
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Family Guy and Philosophy brings together low-brow, potty-mouthed, cartoon humor and high-brow philosophical reflection to deliver an outrageously hilarious and clever exploration of one of TV’s most unrelenting families. Ok, it’s not that high-brow.
A sharp, witty and absurd exploration of one of television’s most unrelenting families, the stars of one of the biggest-selling TV series ever on DVD, now in its fourth season
Tackles the perennial positions of Family Guy at the same time as contemplating poignant philosophical issues
Takes an introspective look at what this show can teach us about ethics, ego, religion, death, and of course, time-travel
Considers whether Family Guy is really a vehicle for conservative politics, and whether we should be offended by the show, as well as diving into the philosophy of the cast
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"I didn't realise what a genius I was till I read this book. (I did know. And I haven't read this book)"
–Ricky Gervais
"The Office and Philosophy provides a brilliant examination of life's unexamined, or "willfully ignored" dilemmas: love trysts, unremitting self-denial, H.R. nightmares, and humiliating personnel blunders. Thankfully, we have none of these problems in Scranton." –Chris Doherty, Mayor of Scranton
"I laughed and laughed and laughed...and then I realized I was reading a different book. And then I read this one. It's pretty good, too."
–Oscar Nunez, Cast Member ("Oscar Martinez"), The Office
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Designed for philosophers as well as readers with no particular philosophical background, the essays in this lively book are grouped into four amusing acts. Act One looks at the four Seinfeld characters through a philosophical lens and includes Jerry and Socrates: The Examined Life? Act Two examines historical philosophers from a Seinfeldian standpoint and offers Plato or Nietzsche? Time, Essence, and Eternal Recurrence in Seinfeld. Act Three, Untimely Meditations by the Water Cooler, explores philosophical issues raised by the show, such as, Is it rational for George to do the opposite? And Act Four, Is There Anything Wrong with That?, discusses ethical problems of everyday life using Seinfeld as a basis. Seinfeld and Philosophy also provides a guide to Seinfeld episodes and a chronological list of the philosophers cited in this book.
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Can power be wielded for good, or must it always corrupt? Does technology destroy the truly human? Is beer essential to the good life? The Lord of the Rings raises many such searching questions, and this book attempts some answers. Divided into five sections concerned with power and the Ring, the quest for happiness, good and evil in Middle-earth, time and mortality, and the relevance of fairy tales, The Lord of the Rings and Philosophy mines Tolkien’s fantasy worlds for wisdom in areas including the menace of technology, addiction and fetishism, the vitality of tradition, the environmental implications of Tolkien's thought, Middle-earth's relationship to Buddhism and Taoism, and more.
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The book collects 18 essays into an unpretentious, tongue-in-cheek, and surprisingly intelligent look at philosophy through the lens of Matt Groening's vaunted animated series. The editors are quick to point out that they don't think The Simpsons "is the equivalent of history's best works of literature ... but it nevertheless is just deep enough, and certainly funny enough, to warrant serious attention." The writers of the book are mostly professional philosophers, and they are appropriately erudite. But what is truly astonishing, even for a confessed Simpsons addict, is their breadth of Simpsons knowledge, spanning all 12 seasons of the show's history. The Simpsons and Philosophy is obviously not intended to be a turning point in modern thought, but it is an excellent introduction to some core elements of philosophy. --Eric de Place
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"Twenty-two philosophers can’t be wrong. Here to confirm suspicions that a relevant subtext exists beneath the potty-mouthed facade of Comedy Central’s “South Park” (now in its 10th season) is this indispensable collection of thought-provoking essays." Boston Herald, January 5, 2007.
“Move over, Kant. South Park and Philosophy embodies a new categorical imperative: Read this collection, laugh, and think.”
Nick Gillespie, Editor-in-Chief of Reason magazine
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Sometimes it feels like you need a Ph.D. to follow the show. But you don't. You just need this book in which twenty-one philosophers explore the deep questions we all face as survivors on this planet: Does "everything happen for a reason"? Is torture ever justified? Who are the Others? How do we know we're not patients in Hurley's psych ward? What if the Dharma Intitiative is experimenting on us? Desmond may not be able to save Charlie, but this book could save you.
A provocative study of the hit television show, Lost, currently in its third season and set to reach its climax in 2010
Highlights the sense in which Lost is a genuinely philosophical show
Helps fans understand and navigate some of Lost’s deeper meanings
Connects episodes and events in the show to core philosophical issues such as truth, identity, and morality
Shows that it’s no accident that there are Lost characters names Locke, Rousseau, and Hume
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